Mon, February 27, 2012

Doors: 7:00 pm / Show: 8:00 pm

$15.00 - $16.00

Off Sale

This event is 21 and over

Facebook comments:

Tim Kasher - vocals, guitar
Matt Maginn - bass, vocals
Clint Schnase -- drums
Ted Stevens -- guitar, vocals

After a steady diet of near-constant touring across three continents, including a stint opening for The Cure on the 2004 Curiosa tour, Cursive was a quintet on the precipice. Their then-most recent record The Ugly Organ had racked up considerable accolades--named one of 2003's best records by Blender, called "the best album of (the band's) career" by The New York Times and given a 4-star rating by Rolling Stone--but the band, ragged and road-weary, opted for an ambiguous hiatus rather than forge onward to the daunting task of Follow-Up to Hit Record.

All was quiet in Camp Cursive for more than a year... And then, slowly at first, after much decompression and contemplation, they began to discuss and then assemble a new record as a freshly reconstituted four-piece--the longtime core of Tim Kasher (vocals, guitar), Matt Maginn (bass), Clint Schnase (drums) and Ted Stevens (guitar, vocals).

The band's reemergence finds them self-assured and assertive as ever. Rather than retread familiar artistic ground, Cursive has unfurled their most adventurous and accomplished work to date, Happy Hollow. Happy Hollow is an expansion of Cursive's trademark discordant swell: dissonant yet distinctively melodic guitar sounds and frontman Kasher's ever-cathartic yowl now mesh and clash with horns, piano, accordion and other various instrumentation. The new songs are marked by a new bounce, a buoyant strut and a recognition that hey... this is fun.

Still informed by a sharp lyrical pathos and a wise, road-tested sense of dynamic interplay, the songs groove and dart with brash swagger, interspersed with hints of gospel and skewed blues. The rhythm section, heavier, tighter, and more propulsive than ever, drives the songs forward while horns careen over dueling vocals and interweaving guitars.

Never repeating themselves, always pushing forward artistically and never settling, Cursive returns to raise the bar with yet another groundbreaking new album, Another Hit Record as Follow-Up to Hit Record.

Happy Hollow's first single "Dorothy at Forty" is another typically atypical Cursive romp, catapulted by incisive guitars, punctuated by horns and jerking to a stop before mightily spiraling away into the song's rousing coda. To be released July 11, "Dorothy at Forty" is backed with non-album tracks "The Bitter End" and "The Censor."
"Ume simply killed it and set the bar for the rest of the night - hell, the rest of the festival - appropriately high" — Chromewaves
"Snarling guitars, catchy melodies, and a sense of NYC cool - straight from Texas!" — SPIN

"Ume started the day with their poppy and suprisingly heavy take on 90s post-punk that is both powerful and charming. Outside of her devilish coo, Lauren is an enigmatic guitarist; all flailing hair, swinging arms, and wild movements. If this band didn't have such catchy songs, you'd probably be content just watching" — Brooklyn Vegan

"The band's new EP, Sunshower is at once beautiful, brutal, flawlessly executed, and completely unpretentious. It's the type of record that grabs the listener immediately and demands repeated listens. It's the whole package - as close to a perfect rock record as has come out of Austin (or anywhere for the matter) in quite some time." — Austin Sound

"How could I have not known about Ume? An Austin trio fronted by a whirling dervish of a singer/guitarist who in the standard PR head shot looks like she wouldn't hurt a fly; yet give her a guitar, a Marshall stack and a mic and stand back, way back... File under - Do Not Overlook and Go Tell Your Friends..." — Dave Allen (Gang of Four)

4/5 stars — The Austin Chronicle and The Irish Times
Last wave punks Virgin Islands have been making waves in their home city of Seattle and beyond since their inception in the fall of 2009. The band releases their debut full-length “Ernie Chambers v. God” on May 10th, 2011 via The Control Group. ECvG is a politically provocative and musically bold rock album, yes – album, with 11 socially charged manifestos that could be the perfect house music for the last party on earth, or the fight songs for your next revolutionary meeting. Arguably post punk and definitely post modern, this record is an intense and sincere statement from a band who’s not afraid to buck the status quo, much like the man Ernie Chambers himself. Virgin Islands usher in the last wave of rock music with conviction and soul.

The band, consisting of lead singer and guitarist Michael Jaworski (formerly of The Cops), drummer Aaron Ball, bassist Charles Keller and guitarist Christopher Meyer, have stumbled upon something rare in this world. They’ve found a channel to create rock music that is exciting, fun and completely relevant in modern times. Virgin Islands stand out in the sea of sameness and passionately carry the torch of politics and punk rock while delivering one sweaty rock show after the next. Ernie Chambers v. God could be party music for the apocalypse, or it may be what we need to lead us out of darkness. Either way, the last wave of rock n’ roll never felt so good.

Ernie Chambers v. God was recorded to tape over 8 days in November of 2010 and was co-produced by the band and Johnny Sangster (Mudhoney, The Briefs, The Cute Lepers, Steve Turner). Virgin Islands will be on the road throughout 2011 in support of the new album.
There are currently no videos. Check back soon.