Thu, October 19, 2017
Doors: 7:00 pm / Show: 8:00 pmCrescent Ballroom
$23.00 - $25.00
This event is 21 and over
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M. Ward returns with a stunning new album, More Rain, for release on Merge Records on March 4, 2016. Ward has released a string of acclaimed solo albums over the past several years, along with five LPs with Zooey Deschanel as She & Him and a 2009 collaborative album with My Morning Jacket’s Jim James and Bright Eyes’ Conor Oberst and Mike Mogis under the moniker Monsters of Folk. In addition to his celebrated work as a musician, Ward is an accomplished producer, handling those duties for such luminaries as Mavis Staples, Jenny Lewis, and Carlos Forster as well as his own musical projects.
M. Ward knows how to live with rain. Having spent the last decade-and-a-half based in the perennially damp Portland, Oregon, the singer-songwriter and producer has learned how to shine through the soggy gloom by simply embracing its inevitability. For Ward, there is inspiration in a dark sky and harmony in foreboding winds. And with his new album More Rain, he has made a true gotta-stay-indoors, rainy-season record that looks upwards through the weather while reflecting on his past.
“I think one of the biggest mysteries of America right now is this: How are we able to process unending bad news on Page One and then go about our lives the way the style section portrays us?” says Ward. “There must be a place in our brains that allows us to take a bird’s-eye view of humanity, and I think music is good at helping people—myself included—go to that place.”
This album, Ward’s eighth solo affair, finds the artist picking up the tempo and volume a bit from his previous release, 2012’s A Wasteland Companion. Where that record introspectively looked in from the outside, More Rain finds Ward on the inside, gazing out. Begun four years ago and imagined initially as a DIY doo-wop album that would feature Ward experimenting with layering his own voice, it soon branched out in different directions, a move that he credits largely to his collaborators here who include R.E.M.’s Peter Buck, Neko Case, k.d. lang, The Secret Sisters, and Joey Spampinato of NRBQ. The result is a collection of upbeat, sonically ambitious yet canonically familiar songs that both propel Ward’s reach and satisfy longtime fans.
More Rain begins with an actual rainstorm, then throughout the album, guitars chime, chug, and riff with Ward’s unmistakable earthy tone, while layers of atmospheric reverb and skittering drums climb and clip in equal measures. As the cloud of noise rolls in, the layers part ever so slightly to make way for Ward’s voice, which can play wispy and whimsical in one moment (“Pirate Dial”) or crackling and smoky in the next (“Time Won’t Wait”) just as well as it can climb to clear-sky clarity (“Confession”) then drop down to smooth, soulful crooning (“I’m Listening”), each one after the other. “Girl From Conejo Valley” is a nostalgic trot through people he used to know and a place he used to be, and “Slow Driving Man” is sweeping and lush in its orchestral climb towards confident heights.
As the album ends with the self-assured swing of “I’m Going Higher,” voices join together in a chorus of rising “ah”s and, for just a second, it seems the storm outside has slowed, making room for a ray of hopeful sunlight. As Ward knows, the rainy season is sure to return, but for now, More Rain is here to help us with our perspective.
That all changed when she met guitarist Tod Adrian Wisenbaker. Tod and his brother, Casey, grew up playing in punk, folk, and hardcore bands in California. Morgan and Tod soon began playing shows in and around Los Angeles. Eventually they added singer Vanesa Corbala, who was born in Tijuana and grew up singing traditional Mexican music, and Casey to the lineup. The addition of Casey and Vanesa allowed the band to experiment with the instrumentation. Tod, Vanesa, and Casey trade off on drums, bass, guitar, harp, and vocals. The Whispertown 2000's vibrant live shows have scored them opening slots with Jenny Lewis, Rilo Kiley, Maria Taylor, She & Him, and Bright Eyes.
The band soon caught the eyes and ears of Gillian Welch and David Rawlings, inspiring the first signing to their own Acony Records. Likewise, Swim is the first real-deal album release for The Whispertown 2000. Recorded by Thom Monahan (Devendra Banhart, Vetiver) and mixed by Shawn Everett and Rawlings (Old Crow Medicine Show, Robyn Hitchcock), Swim is The Whispertown 2000's contribution to that nostalgic, weird, assortment of American music.
Morgan's classic songwriting is put in a more fractured and modern context by Tod's avant-blues guitar, Casey's robust bass playing (and uncanny moustache) and Vanesa's new-traditional harmonies and creative magic. The songs on the record range from quirky folk -pop on "103" to the sweet/ sad hypnotic harmonies of "Pushing Oars" to California –country style "Lock and Key" to ballads like "Atlantis", which features a choir made up of Nagler, Corbala, Welch, Rawlings and Jenny Lewis.
When Lewis, a longtime friend and supporter of The Whispertown 2000 was asked for a quote about the band she simply said: "Morgan Nagler is my favorite songwriter. Period." The band seems to inspire that kind of praise among their peers. Some whispers are meant to be heard.