THE STONE FOXES / THEE COMMONS

THE STONE FOXES / THEE COMMONS

WYVES

Sun, September 17, 2017

Doors: 7:00 pm / Show: 8:00 pm

$20.00 - $23.00

This event is 21 and over

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THE STONE FOXES
THE STONE FOXES
The Stone Foxes are San Francisco's rock band. They bear the torch of their predecessors with the knowledge that rock 'n roll can move a new generation. They’ve played in front of thousands at festivals like Outside Lands and Voodoo Fest, they’ve headlined the legendary Fillmore Theater in their hometown and they have supported acts like The Black Keys, Cage the Elephant and ZZ Top. Now, with the release of their fourth album, Twelve Spells, they have solidified a place in their City's rich rock 'n roll history.

Founded by brothers Shannon(vocals/drums/harp) and Spence Koehler(guitar/vocals), who came from the Sierra Nevada foothills near Tollhouse CA, The Stone Foxes started back in the Koehler’s SF State days in the Sunset District of San Francisco. Two weeks before they went on tour in 2011, they decided they needed a keyboard player and they added Elliott Peltzman from Fairfax CA to play for a couple months...but he never left. They needed another drummer who could also play bass and guitar for tour in 2013, so Shannon called his high school friend Brian "The Buffalo" Bakalian...he never left either. Their old friend Vince Dewald came in to jam one day later on that year, and after the Indiana kid started singing, playing his lefty guitar, and his brother's right handed bass upside down, it was a done deal. Finally in 2014, after convincing(basically begging) Vince's old bandmate to move back from his home town of Boston, Ben Andrews came out to play guitar and violin. After their first practice with Ben, the circle was finally complete and they had beers at the Lone Star tavern on Harrison Street to celebrate their new found brotherhood.

The Stone Foxes are an experience to dive into, to get wild with, to sweat with. "The Stone Foxes have an energetic style that's rooted in swampy, foot-stomping rock...ambitious arrangements with diverse moods ranging from acoustic twang to thunderous electric-guitar riffs."
– NPR/WXPN "WORLD CAFE"

Invoking the audience with their commanding stage presence, even jumping down into the crowd if the mood strikes. Their fans know they are in for something action packed and they light a fire in the band, just as the band spreads fire back into them. Guitarists digging in, lead vocals changing between two unique voices with impassioned nuance, and keyboard and organ sounds that fill the space with smoke and burning embers. There are crunchy drum tones, wailing harmonica draws and violin cries that can silence even the most raucous of rooms. But this is not a sit-down-and-watch kind of event. Like Elvis once said about rock n roll, “If you feel it, you can’t help but move to it.” The Stone Foxes' live show brandishes this kind of dynamic passion on stage. It's impossible not to feel it.

With the release of Twelve Spells, the band has chronicled their new beginning.

"Garage rock gold...the sound of a band hitting their stride.”
– PANDORA

“Perfect back-to-basics rock”
– ENTERTAINMENT WEEKLY

The sounds they are creating are new with tinges of western darkness, punk, surf, and americana, but are strongly tied together by their everlasting rock 'n roll core. Lyrics about gentrification, income inequality, romance, and heart surgeries pour out of their stream of consciousness. It's a fresh rock 'n roll album that chronicles the years of their unification, taking on the issues of their lives and our times.

"Driving this Weekend? Listen to Twelve Spells by The Stone Foxes...Time will fucking fly."
– DENIS LEARY
THEE COMMONS
THEE COMMONS
Since banding together in 2012, psychedelic cumbia-punk trio Thee Commons have made waves in and around their hometown of East LA. Featuring los hermanos Pacheco and one of several lively session bassists, these romp ‘n’ rollers have managed not only to marry two unlikely genres -- world’s apart -- in perfect pastiche harmony but have also compiled a prolific catalogue of music to which they toured through the United States in an extensive 32 days, 35 shows tour in the Summer of 2016. Named #15 on LA Weekly’s “LA’s 20 Best Live Shows of 2016” outranking the likes of ELO, Bruce Springsteen and The Who, Thee Commons have created a buzz with their vivacious performances. Chris Ziegler founder of LA Record wrote about Thee Commons, “Live, they’re fearless, confident and ready to go off-script at a moment’s inspiration. It’s wild stuff, just as it absolutely should be.” To which Chris Kissel of LA Weekly further comments, “If Thee Commons aren’t the best live band in Los Angeles, they’re damn near the top.”

Altogether, Thee Commons have played well over a hundred shows, gaining in the process hundreds more in fans -- those eager for something new to call their own. They have performed at several of Southern California’s prestigious venues and festivals, including Echo Park Rising, Desert Daze, Viva Pomona, The Echoplex of Echo Park, The Regent Theatre of Downtown Los Angeles, the Glasshouse of Pomona, the Roxy of West Hollywood and the Observatory of Santa Ana; have been hosted for a residency by pocho wine bar Eastside Luv of Boyle Heights -- which consisted of a weekly burlesque-dancer-entangled-affair dubbed the “Cumbia Psicodelica Cabaret”; and have opened up for such acts as Chicano Batman, Bomba Estereo, Thee Midniters and even unofficially -- by way of an impromptu guerilla-style street show -- for The Pixies.

Discographically, Thee Commons’ “DIT” (do it together) hard work ethic has yielded them a debut 7inch vinyl EP paradoxically titled Sunburn at Midnight -- self-released spring 2013 -- and a fragmented compilation entitled Rock is Dead: Long Live Paper and Scissors, which is to say an 8-volume limited edition EP series, the volumes of which they released successively throughout 2014. As of 2015, however, Rock is Dead is available, as a full-feature 20-song CD, and as a specialty, limited edition cassette and 10-inch -- 10-song -- vinyl originally co-released by the independent O.C. label Burger Records. 2016 brought about their sophomore album “Loteria Tribal” co-released with Burger Records on CD, Cassette and limited edition Flexi Vinyl. The same year also brought about two new 7-inch vinyl’s that include their refreshing cover of Los Saico’s “Demolicion,” on Denver, Colorado’s Heavy Dose Records, and a single of “La Fiesta” an obscure swinging Mexican cover b/w a grungy cover of Selena’s “La Carcancha” on Steady Beat Records out of San Pedro, CA..

Looking forward, 2017 Thee Commons plan to release the ambitious 18 song junior follow up album “Paleta Sonora” out later this year. Teamed up with Cosmica Artists Management group and Monterey Int. Booking Agency, the future looks auspicious for these young and determined “chunsters” who doggedly strive to perfect their hypnotic yet invigorating act -- which includes an intertextual take on Nirvana's “Love Buzz” and a punk cover of Selena’s “Baila Esta Cumbia”-- and disseminate the perfect pastiche that is psychedelic cumbia punk.
WYVES
Corey Gloden | Vocals & Guitar
Nick Sterling | Guitar
Brenden McBride | Bass
Evan Knisely | Drums
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